「尼卡罕：维吾尔的婚礼 」—— 不忘维吾尔系列放映 「Nikah| the wedding」 Don't forget Uyghur Screening Series
地点 Location: Stanford Lane History Corner 斯坦福大学历史角巷 200-002 时间 Time：2025 Feb 21st Fri 6-9pm 2月21日下午6点
擦星星事务所将在2月21日晚上6点至9点，于FACES 斯坦福中美交流论坛联合举办独立电影「尼卡罕：维吾尔的婚礼 」放映会。我们诚邀居住在湾区的维吾尔和华语离散社区居民共同参与此次放映。本片的演员和剧组成员均由流亡维吾尔人组成，影片紧张、细腻且偶尔带有幽默元素，生动呈现了一个正在悄然崩塌的社会。映后将安排交流环节，为大家提供一个分享感受和讨论电影的机会。
Star Shiner Initiative will co-host a screening of the independent film Nikah with Forum for American-Chinese Exchange at Stanford (FACES) on February 21st from 6:00 PM to 9:00 PM. We invite Uyghur and Chinese diaspora living in the Bay Area to join us for this screening. The film’s cast and crew are composed entirely of exiled Uyghurs, and it presents a tense, delicate, and occasionally humorous portrayal of a society falling apart and collapsing. After the screening, there will be an opportunity for the audience to engage in a discussion and share their thoughts.
「尼卡罕：维吾尔的婚礼 」是一部细腻而细致的中篇故事片，它捕捉到了一位维吾尔年轻女性在人生十字路口的不确定性，同时展现了一场巨大的集中营人道悲剧。
Subtle and carefully observed, NIKAH is a powerful mid-length feature that captures the uncertainty of a Uyghur young woman at a personal crossroads, while an immense tragedy of internment unfolds.
Directed by Mukaddas Mijit and Bastien Ehouzan
由穆卡达斯·米吉特和巴斯蒂安·埃胡赞共同导演
56 minutes 56分钟 / Color 彩色
Uyghur 维语 / English subtitles 英文字幕
Release 发布时间 : 2024
Women's Studies 女性研究 ｜ Human Rights 人权 ｜Fiction - Features 剧情片
迪尔伯尔 27 岁，她的母亲想尽快给她找个丈夫——尤其是现在她的妹妹热娜刚刚开始新婚生活。但这是 2017 年，维吾尔族人被无端大规模抓捕。被拘留者之一就是热娜的丈夫，他被当地区委审问并拘留。
Dilber is 27, and her mother wants to quickly find a husband for her — especially now that her younger sister Rena is settling into newly married life. But it’s 2017, a time when Uyghur people are being arrested without people knowing why. And one of those detained is Rena’s husband, questioned and held by the local district committee.
「尼卡罕：维吾尔的婚礼 」是一部中篇电影，情节细腻，观察细致，有力，捕捉了一位年轻女性在个人十字路口的不确定性，同时展现了一场巨大的人道悲剧。随着紧张局势加剧和恐惧加剧，迪尔伯尔与巴黎一位朋友的定期 FaceTime 聊天让她相信，她最大的希望在于嫁给一位法国的维吾尔族年轻男子。但这就足够了吗？
Subtle and carefully observed, NIKAH is a powerful mid-length feature that captures the uncertainty of a young woman at a personal crossroads, while an immense tragedy of internment unfolds. As tensions rise and fears mount, Dilber’s regular FaceTime chats with a friend in Paris convince her that her best hope lies in marrying a young Uyghur man in France. But will that be enough?
制作团队
穆卡达斯·米吉特 (Mukaddas Mijit)是一位民族音乐学家、电影制作人、舞蹈家和编舞家，出生于维吾尔地区的乌鲁木齐。她目前是布鲁塞尔自由大学的博士后研究员，致力于研究维吾尔地区人权危机后海外维吾尔族艺术化回应。「尼卡罕：维吾尔的婚礼 」是她的第一部中篇电影。
Mukaddas Mijit is an ethnomusicologist, filmmaker, dancer, and choreographer, born in Urumchi in the Uyghur region. She is currently a postdoctoral fellow at the Université Libre de Bruxelles, working on Uyghur artistic reaction in the diaspora after the human rights crisis in the Uyghur region. Nikah is her first medium-length film.
巴斯蒂安·埃胡赞（Bastien Ehouzan）是电影制作公司KIDAM的联合创始人，该公司于2010年在波尔多和巴黎成立。他自2018年以来与制作公司L’Endroit合作。「尼卡罕：维吾尔的婚礼 」Nikah是他的第一部中篇电影。
Bastien Ehouzan is co-founder of KIDAM, a film production company based in Bordeaux and Paris, founded in 2010. He has partnered with the production company L’Endroit since 2018. Nikah is his first medium-length film.
“Extraordinary. Filmed in France with a cast and crew of exiled Uyghurs, Nikah is a glimpse into the shattering of a culture, and shows us the beauty of Uyghur communal life. It is astonishing in its restraint, in the way it remains true to a ground level view of what it looked and felt like to be on the verge of internment. Nikah is a portrait of the impossible becoming reality.” —The China Project
非凡之作！这部影片在法国拍摄，演员和剧组均由流亡的维吾尔族人组成。「尼卡罕：维吾尔的婚礼 」让我们一窥一个文化正在破碎的过程，同时展现了维吾尔族社区生活的美丽。它在克制中展现出震撼力，忠实于一种贴近现实的视角，展现了在即将被关押前的生活图景和感受。「尼卡罕：维吾尔的婚礼 」描绘了不可能变成现实的瞬间。”
——《中国项目》（The China Project）
“Reveals a society that is silently falling apart in this intense, delicate and sometimes funny film.”
—Mukaddas Mijit, a Uyghur artist and ethnomusicologist based in France Liberation
“在这部紧张、细腻且偶尔幽默的影片中，揭示了一个正在无声崩塌的社会。”
——穆卡达斯·米吉提（Mukaddas Mijit）是一位旅居法国的维吾尔族艺术家和民族音乐学家《解放》（Liberation）
“Quietly commands attention with its portrait of a culture under siege… Leaves an indelible impression.” —The Asian Cut
“以一幅文化遭受围困的画面悄然吸引观众……留下不可磨灭的印象。”
——《亚洲视角》（The Asian Cut）
活动期间使用的语言是英语，如果你迫切的需要中文口译，请与我们联络。
This event is in English only, contact us if you need Chinese Interpreter.
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